Model by: Alexander WoodwardThree, tall, lime-green paneled walls with yellow doors describe a room. Suspended in the middle is a gathered curtain of magenta fabric that reads “Maxim’s”. Some remnants including a white chair, an upended red chair, and a gray, plastic figure supine on the floor.

Model by: Alexander Woodward

Three, tall, lime-green paneled walls with yellow doors describe a room. Suspended in the middle is a gathered curtain of magenta fabric that reads “Maxim’s”. Some remnants including a white chair, an upended red chair, and a gray, plastic figure supine on the floor.


 

Albert And Bianca’s Final Round

By Vanessa Vizcarra

ALBERT: ¿What do you mean, Communism?

BIANCA: ¿What do you mean, what do I mean?

ALBERT: I mean . . .

BIANCA: Communism.

ALBERT: ¿Plain, old . . . ?

BIANCA: Communism.

ALBERT: Ok.

BIANCA: ¿Does that bother you?

ALBERT: ¿What? ¿The word? ¿That word? ¿How would it . . . ? I mean, ¿Why would it . . . ? I just . . . We were talking about skirts.

BIANCA: Yes

ALBERT: You said you bought a really beautiful skirt for Ian`s graduation.

BIANCA: Yes, I did. I will be the best looking mom in the place.

ALBERT: You were telling me about the print . . . and then . . .

BIANCA: I said “Communism”

ALBERT: Yes. 

BIANCA: ¿How did you feel about that?

ALBERT: I . . .

BIANCA: ¿Yes?

ALBERT: Got scared. 

BIANCA: ¿And?

ALBERT: I don`t . . . I . . . ¿Why? 

BIANCA: I find it to be a great bullshit detector. The way some people react to the word.

ALBERT: ¿And? . . . How did I . . . 

BIANCA: Well, you know. Unoriginally.

ALBERT: Ok. 

BIANCA: Maybe . . . We should go separated.

 

Audio Recording

Bianca: Melody J. Munitz
Albert: Michael Pilato
Directed by Alison Morooney


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Vanessa Vizcarra

I am a scenic artist, formed at P. Catholic University of Lima and various independent workshops. Master in Arts in Text and Performance from Birkbeck College University of London and RADA. My practice has been based in Lima, Peru. In 2016 I directed in Mexico city.

I am an actor, director, playwright and teacher. I have been part of the new-playwriting program “Sala de parto” twice and I won “Ponemos tu obra en escena” 2017, a new-playwright competition from the Peruvian-British cultural association. I am artistic director for the FAE Lima (Scenic Arts Festival of Lima since 2018.

 
 
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Alexander Woodward

Alexander is a NYC based designer focused in scenic and/or costume design recently: The Sound Inside on Broadway. In addition, Alexander spent five years at Williamstown fostering the studio program as well as establishing "In The Wings" and they currently run the Scenic Design program at UConn.

Alexander is an avid proponent of arts advocacy, exploring all aspects of our medium as a form for change & a tool to shape our environment. Alexander is an active member of Wingspace, a nonprofit that promotes conversation on design, community, and activism. Proud BGA Mentor, and UA829 member.


 

 Plays

The Music of Memory

The Music of Memory

Unlearning

Unlearning

Three Plays

Three Plays

And Charlie Was Just Laughing at Me

And Charlie Was Just Laughing at Me

The Fold

The Fold

Am I (Is He) Wearing Pants?

Am I (Is He) Wearing Pants?

Albert and Bianca’s Final Round

Albert and Bianca’s Final Round